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German 2810 Instructor: Roger Cook Screenings: Class hours:
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German 2810 Home :: Course Information :: Course Schedule Film Studies 2810 - Introduction to Film Analysis jump to: Course Description | Grade Distribution | Required Texts | Course Policies Instructor: Roger Cook Course Description [ top ] Starting with an introduction into the formalist aspects of film art, this course explores how films function as cultural texts. We will view feature films in conjunction with the study of an introductory film text. The films will provide an opportunity to apply the knowledge of formal elements gained from the text to important works from the last 70 years of American cinema. Our discussion and analysis of these films will provide a broad overview of the genres, traditions, styles, and formal techniques that have evolved over the first 120 years of cinema. While this introduction can only hope to scratch the surface of a rich cultural form, it will add to your enjoyment and appreciation of film and deepen your understanding of the relationship between cinema and social practice. Each week we will view one full-length film outside of class that will serve as an example of the aspect of film being studied that week. In class, we will view a selection of film clips (from both that week's film and other films) that enable us to analyze the featured film technique more extensively.
The films will be shown in the regularly scheduled Tuesday evening slot (7 – 9:30 pm, in GCB bldg., room 105). Attendance at these screenings is mandatory, whether you have seen the film previously or not. If you will not be able to attend a Tuesday screening, you must let me know well ahead of time and we will arrange an alternative opportunity to view the film prior to the Wednesday class.
Attendance at both the screenings and the class sessions is required. Missing classes will result in the loss of attendance points and reflect badly on your participation grade. After two unexcused absences from the class and/or the screenings, you will lose 10 points for every other unexcused absence.
Grade Distribution [ top ]
Participation grade: You will be graded not on the basis of how much you say in class, but rather of the quality of your participation. Quality participation will reflect that you are watching the films attentatively and reading the assignments. Questions about something you do not understand may contribute more to a positive participation grade than statements designed to show your familiarity with the readings or films. Opinions or views that oppose my own (or those of other students) will not be detrimental to your participation grade. To the contrary, an exchange of differing or opposing ideas usually helps to clarify the meaning of a concept or the issues surrounding a theme. All that is required is that you treat participants in the discussion with respect. I am much more interested in your own thoughts and questions than in hearing you repeat what I have said or saying what you think I might want to hear. Required Texts [ top ] The Film Experience: An Introduction. Timothy Corrigan and Patricia White. Boston: Bedford/St. Martin's, 2004. Supplementary texts that discuss the films we view in the context of the relevant chapter of The Film Experience. These texts are on the course web site and accessible by links on the "Course Schedule" page.
Additional Readings on the Films in the Course Click here for a list of additional readings on the films we are viewing in the course.
Course Policies [ top ] Academic Dishonesty: Americans with Disabilities Act: [ top ] |
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